Benjamin Armstrong

Benjamin Armstrong creates glass and wax sculptures that slide between the homely and the uncanny.  Writing about Conflict (Monash University Collection), in which a pair of eyeballs shaped from wax sit at the edge of an egg shaped table top supported by impossibly thin legs, Dr Kyla McFarlane noted that Armstrong triggers both an emotional and intellectual response in viewers … an involuntary physical shudder of horror and delight registers deep in our own bodies.

Dr Kyla McFarlane, Swells and Shudders, Before the body – Matter 2006

Click to the read the essay Contact Images by Quentin Sprague accompanying the Under the Southern Sky (2020) series

Benjamin Armstrong ‘Examination, Night’ 2021, pigment & binder on polyester, 123 x 138.5 x 4 cm. From the exhibition Pictures for Thinking, 12 February – 12 March 2022
Benjamin Armstrong ‘Untitled’ 2021 2021, pigment & binder on polyester, 169 x 128 x 4 cm. From the exhibition Pictures for Thinking, 12 February – 12 March 2022
Benjamin Armstrong ‘Untitled’ 2021 (detail), pigment & binder on polyester, 169 x 128 x 4 cm. From the exhibition Pictures for Thinking, 12 February – 12 March 2022
Benjamin Armstrong ‘Five bar gate’ 2021 Installation view, pigment & binder on polyester. Linoleum mounted on plywood 215.5 x 123 x 4 cm. From the exhibition Pictures for Thinking, 12 February – 12 March 2022
Benjamin Armstrong ‘Coast Of Secrets I’ 2020. Linocut, pigments & binder on polyester, 153.5 x 120 x 3.5 cm
Benjamin Armstrong ‘Shear I’ 2020. Linocut, pigments & binder on polyester, 134 x 150 x 3.5 cm
Benjamin Armstrong ‘Sunray I’ 2020. Linocut, pigments & binder on polyester, 132 x 152 x 3.5 cm
Benjamin Armstrong ‘Cell I’ 2020. Linocut, pigments & binder on polyester, 117.5 x 133 x 3.5 cm
Invisible Stories: Meditations on Port Essington installation view 2018
Invisible Stories: Meditations on Port Essington installation view 2018