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Tim Maguire and Patricia Piccinini at NGV Australia

NEW AUSTRALIAN PRINTMAKING featuring TIM MAGUIRE and PATRICIA PICCININI
The Ian Potter Centre: NGV Australia, Fed Square
13 May 22 – 11 Sep 22
Open 10am–5pm daily

Featuring groundbreaking prints by Megan Cope, Shaun Gladwell, Tim Maguire and Patricia PiccininiNew Australian Printmaking at NGV Australia launches the work created by these artists during the Australian Print Workshop Artist Fellowship program.

Established by the Australian Print Workshop (APW), this major fellowship program is the most significant of its kind in Australia and was awarded annually between 2017 and 2021. The Fellowship enabled these leading Australian artists to research, develop and create a new body of work in the print medium.

In a series of vibrant colour intaglio prints produced during his fellowship in 2020–21, Tim Maguire has taken his recent body of work Dice Abstracts to new ground. Deriving from six simple charcoal drawings and using only the three primary colours cyan, magenta and yellow, the composition of each print was determined by the roll of dice – resulting in an extraordinary and unexpected range of colour combinations.

Patricia Piccinini, who had never engaged with printmaking before, completed the Fellowship in 2018–19. In collaboration with APW printers she created two suites of colour prints. The first, titled the Weavers’ Suite, used etching and lithography to bring a new inflection to her long-standing investigation of nature, the body and the uncanny. Her second series features her provocative Skywhale family hovering over a variety of brightly coloured landscapes and combines hand-drawn and computer-generated images to create a suite of lithographs.

This exhibition has been organised by the National Gallery of Victoria and the Australian Print Workshop.

Contact Tolarno Galleries for enquiries about available works from Tim Maguire and Patricia Piccinini: mail@tolarnogalleries.com

Images: Portrait of Tim Maguire with his work CMY Dice Abstract 2021 at the Australian Print Workshop. Portrait of Patricia Piccinini and her work Skywhale Suite 2019 at the Australian Print Workshop. Photos by Eugene Hyland.


Coming soon: Elizabeth Willing – Forced Rhubarb

28 May – 18 June 2022

Forced Rhubarb is a new body of work from Elizabeth Willing, an installation of hand-printed and embroidered linens, accompanied by a floorwork made from sherbert-filled straws. Food is the catalyst Elizabeth Willing uses to translate the ineffable body, to reflect on the performance of eating, and facilitate multi-sensory experiences. 

Since making a statement at the Melbourne Art Fair in 2018 with the installation Strawberry Thief featuring a William Morris-inspired wallpaper print using native Brisbane ingredients, hand-carved wooden sculptures, the Anxiolytic cocktail performance and collages of fruit cakes accompanied by a bright pink carpet, Willing has since held solo exhibitions at University of Queensland Art Museum, Caloundra Regional Gallery, Kuiper Artspace Brisbane (all 2019) and Museum of Brisbane (2020).

In this new body of work, the Linens, Willing turns hosting into a solitary method, sublimating the obligation of labour, duty of service, and commitment of time into form. Mining a personal archive of colourful test prints, each a fragment of research from the past ten years.

The floor installation Moviprep (pictured) stretches across the expanse under our feet in huge loops, one continuous tube made from over one thousand individual sherbet filled straws.


Finalists in the 2022 Telstra NATSIAAs, Wynne, Sulman and National Works on Paper prizes

Congratulations to Tolarno Galleries’ artists who have recently been announced as finalists in several major awards.

Kieren Karritpul and Wanapati Yunupiŋu are finalists in the Telstra National Aboriginal and Torres Strait Islander Art Awards (NATSIAA) 2022 at the Museum and Art Gallery Northern Territory. 

Danie Mellor is a finalist in both the Sir John Sulman Prize and the Wynne Prize, while Patricia Piccinini is the subject of Natasha Bieniek’s portrait which is an Archibald Prize finalist at the Art Gallery of New South Wales.

Peter Atkins and Justine Varga are finalists in the 2022 National Works on Paper at the Mornington Peninsula Regional Gallery.

Image: Danie Mellor After the end of the world, acrylic and gesso on linen, 152 x 213.4 cm. Sir John Sulman Prize 2022 finalist.