Benjamin Armstrong | ‘Under the Southern Sky’ | online nowedit
Benjamin Armstrong has eschewed paint for ink in a number of his works over the years. His first exhibition at Tolarno Galleries in 2007 included sets of linocuts printed in metallic pigments on hand dyed paper, framed under etched glass. A few years later, he showed Chinese ink and watercolour pictures.
Now there are large linocuts printed onto stretched polyester and his studio doubles as a showroom for this online exhibition. Under the Southern Sky comprises eight works. The images, as Quentin Sprague observes in his catalogue essay: Contact Images, are “Australian in character… not the quasi-mythical construction embodied by notions of ‘mateship’ and a ‘fair go’, but the more foundational character imparted upon us by this country’s history, by the shockwaves of colonisation.”
The compositions are partly inspired by tales of first contact – in particular, Bruce Pascoe’s story telling in Cape Otway: Coast of Secrets (co-authored with Lyn Harwood in 1997). Delving into the past, Benjamin Armstrong, in this powerful and captivating series, offers his imaginative take on the story of ‘first contact.’ It’s a very distinctive reading of cross-cultural junctures that leads into highly nuanced works. Chameleon pigments shift and change like shot silk; colours alter miraculously as light plays over their surfaces. “This is history as magic realism.”
Image: Benjamin Armstrong Inception I 2020. Linocut, pigments & binder on polyester, 133 x 102 x 3.5 cm
comments for this post are closed